The Snapper

"We all do stupid things when we're drunk, don't we?"
Soon after a wild night at the pub, twenty-year-old Sharon Curley (Tina Kellegher) finds herself expecting a little "snapper" by a man she loathes. Her refusal to name the father sets in motion a family drama involving her three brothers, two sisters, and her parents, along with her employers and all her friends. Kellegher, playing the role as a coarse, earthy, yet remarkably sensible young woman (with the exception of her excessive drinking during her pregnancy) soon discovers who her friends really are, as some people tease and torment her, some make remarks to her siblings, some force her father to take direct action in her defense, and all spread gossip.

Des Curley (Colm Meaney), Sharon's father, shows the whole world in his face, his emotions ranging from outrage toward Sharon for embarrassing the family to tender concern as her time draws near. As the eight-member family trips all over each other emotionally (ironically symbolized in their battles for the one...

Wickedly funny
Based on the second book in Roddy Doyle's Dublin trilogy, The Snapper is a wickedly funny glimpse into the lives of a working class Irish family. The eldest daughter of a large family becomes pregnant and refuses to name the father. Not your traditional comic premise, but in this case it works beautifully. The characters are fully developed and presented in such a manner that you care deeply about them, and experience their pain as well as their joy. Veteran actor Colm Meaney (Star Trek DS9), who appears in the other two films that make up the trilogy (The Commitments and The Van), masterfully carries the story as the father of the unruly brood. He comes across as a good man who tries to do the right thing and loves his family, but is painfully human at every turn. The rest of the cast is mostly unknown but very believable and capable. I highly recommend this film (and the books, too). It may be the closest you ever get to Dublin without actually crossing the...

A realistic view into an Irish home.
No other film has ever captured the zeitgeist of Irish life as well as the snapper. Roddy Doyle was teaching in a North Dublin working class school when he wrote this book. Much of the dialoge that you hear in the film is directly out of the mouths of his students.

What you see in this film is as close as an outsider is ever likely to come to an understanding of working class Irish life. The unmarried daughter giving birth accounts for 1 in four of all children born today in Ireland. This is as real a situation as you can have. The language, the wit, the sarcasm and the lifestyle are all iminently recognised by Irish people as being true to daily life.

The bonus of the Snapper is that you get a bellyaching laugh at the same time. There are few films as funny as this.

Absolutely brilliant!

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